Paintings (4) | acrylic on canvas | 2023 - 2026
"Talking" | 40" x 40" | 2026
"Yellow" | 30" x 40" | 2025
"Zephyr" | 48" x 36" | 2023
"Reflection" | 40" x 30" | 2023
"Talking" | 40" x 40" | 2026
"Yellow" | 30" x 40" | 2025
"Zephyr" | 48" x 36" | 2023
"Reflection" | 40" x 30" | 2023
“No Shoes, Please” | room installation | 2022
For most of my art experience, I often viewed my work as disposable, to the point where I wouldn’t be bothered if it was damaged or thrown away. My installation, which shelters a memory of home, plays off this feeling. Although my memories are precious to me, I would describe them as subdued, oblique, like a silent film. I believe in rebirth, a doctrine wherein the process of living starts again and memories necessarily disappear. I wanted to honor that powerful transience, designing a room to hold my treasured memories, but with an inevitable termination date. My materials are ephemeral, delicate: tape, light, scented oils, glass. My colors are muted whites and a warm, gentle orange. I want to transfer the feelings of comfort I’ve known to the people who enter this room. Stay as long as you like, for you are welcome here.
Window mural: masking tape | Pillows: old bedsheets from home, cut foam filling, thread | Flooring: found textured rug | Lighting: orange light filter sheets | Scent: Eagle Brand Medicated Oil
Elements from home sculptures (aged): masking tape, black ink | Display: glass panel, cardboard, acrylic paint
“Overpass” | film projection on sculpture (plaster, duct tape, acrylic paint) | 2020
An observation of a mundane view shot in Houston, overlayed over a twisted structure hardened in place, reflecting the ebb and flow of the city, connected by its concrete-ness, potholes and all.